DANCE EXPRESSION
Each season the National Youth Ballet seems to go from strength to strength. This was the 19th production and one of the best. Some very charming ballets, all choreographed to suit the various age levels and how well they danced. The whole presentation was most professional, with clever lighting, scenery and staging. All the dancers performed on the stage of Sadler’s Wells as to the manner born: no wonder they all had a wonderful ovation at the end.
Each year Jill Tookey, the director, and her team gather together some of the most talented and promising dancers. This year they came from over 68 schools, from many regions of England. For the dancers it is an experience of what life is like in a company: rehearsals, classes, performances, you have to be committed and dedicated.
For the Junior Associates of the NYB, Anna Meadmore had choreographed a delightful ballet, Lavender’s Blue, based on Kate Greenaway and traditional nursery rhymes. Ideal for all the boys and girls, with Naomi Bottomer outstanding as Lavender’s Blue. Antony Dowson’s Adagio for six boys and a lovely dancer, Katya Bourvis, was excellent and most impressive on the large stage. So many strong boys taking part this year, which reflects the present trend in dance. Strathspey and Reel by Jonathan Payn was great fun, he is a clever choreographer, very musical and knows how to use his dancers to the best advantage. The boys caught the whole spirit and were an excellent foil to the girls. Gone West by Donna Phillips was a lively ho down in the style of Seven Brides and Oklahoma. All the dancers entered into the spirit, fun, a good contrast and the audience and dancers loved it. Frank Freeman choreographed a lovely duet for Ruth Brill and Jack Thorpe-Baker to Schubert music, beautifully danced and so musical in the arrangement and interpretation.
The big ballet was Hansel and Gretel, choreographed by Janet Kinson, very clever, and one admires the way she uses all the age levels to tell the story. The Hansel and Gretel of Dale White and Katie Webb held the story together, the Witch of Alice Butcher was fabulous and certainly having drama coaching b y Ros Taylor paid off as everyone had such a good sense of characterisation. The Father of Jack Wilcox and the Witch’s Apprentice, Jamie Patel, and all the roles were convincingly expressed. Nancy Osbaldeston, from her success as the winner of the Molly Lake Award (see last month’s Teen Scene) shone in the role of the Star Fairy.
Two solos from the Choreographic Competition were included: one by Robbie Bird, crazy, hip hop and fun, certainly different, and a musical solo by Isobel Powell to Vivaldi. She also won the Barbara Geoghegan Musicality Cup. Throughout the event there was a strong musical emphasis, which makes a change!
The National Youth Orchestra, National Youth Theatre and National Youth Ballet all do wonderful work in encouraging the arts among young people. The Birmingham Schools’ Concert Orchestra supported Hansel and Gretel under their conductor Bob Vivian played very well indeed.
Dancing in the National Youth Ballet will be something that all the dancers will remember. The special award this year was presented by Monica Mason, Director of the Royal Ballet, to Ruth Brill and Alice Butcher, I wish them every success for their future.
A special programme is planed for 2007, the 20th anniversary, and watch out for 2012, the 25th!
ROBERT HARROLD |